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Abstract

Saint-Georges' 'Règles pour l'accompagnement,' which provide instruction in figured bass realization at the harpsichord, are found in an undated manuscript (Paris, Bn, Vm8 1139). This article examines questions of authorship, date of copying, and the author's identity. The manuscript exhibits a close connection to Jean-François Dandrieu’s Principes de l’accompagnement du clavecin (1719) and probably represents an early version of that work.

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