Abstract
The initial impetus for this inquiry came from a question posed by Arthur Mendel during a coffee break in a Bach seminar some thirty years ago. Why, he asked, did Bach notate the last movement of the fifth Brandenburg Concerto in two-four time, with triplets rather than in six-eight time?...
DOI
10.5642/perfpr.200813.01.05
Recommended Citation
Marshall, Robert
(2008)
"Bach's Tempo Ordinario: A Plaine and Easie Introduction to the System,"
Performance Practice Review:
Vol. 13:
No.
1, Article 5.
DOI: 10.5642/perfpr.200813.01.05
Available at:
https://scholarship.claremont.edu/ppr/vol13/iss1/5