Abstract
Isolates 15 musical contexts that determine Blavet's choices for musical phrasing and proposes that they represent the unspoken, assumed rules that either consciously or unconsciously guided Blavet's choices.
DOI
10.5642/perfpr.199104.02.04
Recommended Citation
Peterman, Lewis Emanuel
(1991)
"Michel Blavet's Breathing Marks: A Rare Source for Musical Phrasing in Eighteenth-Century France,"
Performance Practice Review:
Vol. 4:
No.
2, Article 4.
DOI: 10.5642/perfpr.199104.02.04
Available at:
https://scholarship.claremont.edu/ppr/vol4/iss2/4