Playing Politics with Estranged and Empathetic Audiences: Bertolt Brecht and Georg Fuchs
Previously linked to as: http://ccdl.libraries.claremont.edu/u?/irw,234
Abstract
The author examines Bertolt Brecht's production of a "new viewing subject" through the concept of alienation in German theater of the early 20th century.
This paper has been withdrawn.
