Document Type

Article

Department

Pomona College, Art and Art History (Pomona)

Publication Date

1985

Keywords

villa, Andrea Doria, Genoa, Italy, architecture, gardens, suburban setting, Renaissance, Perino del Vaga

Abstract

This paper reconsiders Andrea Doria's 16th-century villa in Genoa as an architectural and garden monument in relation to its original suburban setting.¹ The villa has thus far been discussed primarily as a decorative monument, with scholars focusing their attention upon the interior fresco and stucco decorations of Perino del Vaga and façade paintings by Perino, Beccafumi, and Pordenone.² However, these paintings have not been understood fully in terms of the architectural, garden, and suburban context of the villa, which serves as the focus of this study.

Rights Information

© 1985 The Regents of the University of California

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