Article Title
Abstract
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his metronome markings and his own recorded performance tempos. His preferred tempos in the reviews encompass a range wider than the markings imply, yet more narrow than his own performance tempos suggest.
DOI
10.5642/perfpr.198801.01.6
Recommended Citation
Buxbaum, Erica Heisler
(1988)
"Stravinsky, Tempo, and Le Sacre,"
Performance Practice Review:
Vol. 1:
No.
1, Article 6.
DOI: 10.5642/perfpr.198801.01.6
Available at:
https://scholarship.claremont.edu/ppr/vol1/iss1/6