Abstract
Supports a narrow and ornamentally used vibrato in Baroque music, and the basic conclusions of Greta Moens-Haenen in Das Vibrato in der Musik des Barock (RILM 88-8038), adding personal observations and comparisons of present performance styles. Emphasizes solo and ensemble vocal vibrato and violin vibrato. Disputes the pro-vibrato views of Robert Donington (RILM 82-1459) and Frederick Neumann (RILM 91-3698).
DOI
10.5642/perfpr.199205.01.09
Recommended Citation
Gable, Frederick Kent
(1992)
"Some Observations Concerning Baroque and Modern Vibrato,"
Performance Practice Review:
Vol. 5:
No.
1, Article 9.
DOI: 10.5642/perfpr.199205.01.09
Available at:
https://scholarship.claremont.edu/ppr/vol5/iss1/9