Examines the performance circumstances surrounding an early 17th-c. English adaptation of Thomas Tallis's 40-part motet, Spem in alium nunquam habui (Sing and glorify heaven's high majesty), for two investiture ceremonies in 1610 and 1616; the purpose of these two particular ceremonies are investigated. The resurrection of the work for the next investiture of the new Prince of Wales is proposed.
""Music of Forty Several Parts": A Song for the Creation of Princes,"
Performance Practice Review:
1, Article 4.
Available at: https://scholarship.claremont.edu/ppr/vol7/iss1/4