Article Title
Abstract
A brief historical and theoretical consideration of the late-18th- and early-19th-c. Eingang--a short, cadenza-like flourish for the soloist to announce a solo section in a concerto--together with an examination of Beethoven's use of the convention. Musical examples from Beethoven show both implied and written-out examples. Beethoven tended to write out such passages in his later works.
DOI
10.5642/perfpr.199407.01.06
Recommended Citation
Polan, David
(1994)
"The Eingang in Early Beethoven,"
Performance Practice Review:
Vol. 7:
No.
1, Article 6.
DOI: 10.5642/perfpr.199407.01.06
Available at:
https://scholarship.claremont.edu/ppr/vol7/iss1/6