Graduation Year

Spring 2014

Document Type

Open Access Senior Thesis


Hispanic Studies

Second Department

Media Studies

Reader 1

Jennifer Wood

Reader 2

Carmen Sanjuan-Pastor

Reader 3

Ming-Yuen S. Ma

Terms of Use & License Information

Terms of Use for work posted in Scholarship@Claremont.

Rights Information

© 2014 Winona A. Bechte


Chapter 1: Formation and Early Beginnings of music in la Movida
-In the first chapter I am writing about how the early development of la Movida runs very much alongside political initiatives to stimulate cultural development in Madrid. Specifically I am writing about how popular songs and musicians at the time translated these messages of regional pride and identity that was being heavily stimulated by the government into a way that the general public could understand and support. Citing specific song lyrics and early bands of la Movida, I also track the years leading up to 1975 and how music has long been used in Spain as a political tool.

Chapter 2: The peak commercialization of Movida music and its slow dissolve
-In the second chapter I explore the height of la Movida's popularity, namely in the form of full-blown institutional support surrounding concerts, radio stations, publications and music marketing. I then explore the question of authenticity surrounding la Movida and whether or not its development was ever really "authentic" because of the long period of political involvement. I also shift the idea that la Movida musicians and music just suddenly stopped being produced to one that favors a more gradual expansion of the music into the world that changed its form over time. This chapter focuses heavily on how outside influences and increased dialogue with the rest of the world led to a perspective that heavily favored a classic Spanish capital over a highly regional one.

Chapter 3: Traces and reception of la Movida in Madrid today
-In the third chapter I will focus more pointedly on the interviews I have conducted, most of which maintain the viewpoint that "nothing of la Movida exists in Spain today." I will examine the influences music of la Movida has had on contemporary music, as well as the role of current exhibitions focusing on the music and art scene of la Movida. This chapter is primarily an exploration into where the place Movida music exists in contemporary history.