Deleuze and Film Semiotics

Authors

James Morrison, Claremont McKenna CollegeFollow

Document Type

Article

Department

Film Studies (CMC), Literature (CMC)

Publication Date

1992

Abstract

On first reflection, none of the usual categories seem to apply to Gilles Deleuze's work in film theory. In fact, Deleuze's texts appear willfully to frustrate the expected set of questions: What is the relation of Deleuze's texts to film theory? What is their relation to semiotics, to the taxonomy and methodology of semiotics as it has been rehearsed by post-structuralist film theoreticians?

Comments

Brief excerpt from content used in lieu of an abstract.

Rights Information

© 1992 Walter de Gruyter

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Recommended Citation

Morrison, James. "Deleuze and Film Semiotics." Semiotica 88.3-4 (1992): 269-290.