Graduation Year
2024
Date of Submission
4-2024
Document Type
Open Access Senior Thesis
Degree Name
Bachelor of Arts
Reader 1
James Morrison
Reader 2
Kevin Moffett
Terms of Use & License Information
Rights Information
© 2024 Rachel S Keady
Abstract
“All works, no matter what or by whom painted, are nothing but bagatelles and childish trifles... unless they are made and painted from life, and there can be nothing... better than to follow nature." - Caravaggio
In the fall of 2021, I registered to take “Italian Baroque Art” with Professor Gorse at Pomona College, for the spring of 2022. Professor Faggen, one of my advisors, encouraged this and piqued my interest in the characters of this world. After some casual online research, I was transfixed by one artist in particular: Michelangelo Merisi da Caravaggio. How could I not be struck by the captivating life and legacy of an enigmatic man who continues to defy convention and set the world ablaze with his work? His reputation smeared, revived, and reconsidered countless times, I was hungry to know more. The incomplete picture of Caravaggio is both a blessing and a curse. I started to imagine what the not-insignificant minutiae of his life, and of those closest to him, consisted of. A story began to coalesce, taking the form of one of my favorite narrative modes: television.
Recommended Citation
Keady, Rachel, "Dark as Day" (2024). CMC Senior Theses. 3696.
https://scholarship.claremont.edu/cmc_theses/3696
Included in
Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Fiction Commons, Screenwriting Commons, Television Commons