Graduation Year

2016

Document Type

Open Access Senior Thesis

Degree Name

Bachelor of Arts

Department

Theatre

Reader 1

Giovanni Ortega

Reader 2

Ronnie Brosterman

Reader 3

Arthur Horowitz

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Rights Information

© 2016 Victoria C Montecillo

Abstract

This thesis looks to explore Urinetown: The Musical through a critical and theoretical framework, analyzing the show's presentation and deconstruction of theatrical character tropes through musical satire. Using the theories of theatre theorists such as Bertolt Brecht, Peter Brook, and Augusto Boal, this thesis discusses the use of theatre as a device for political and social commentary. Additionally, this thesis focuses more specifically on the show's character of Penelope Pennywise as a new kind of character in the theatre: an "ingénue gone awry," within the context of approaching a performance of the character in a performance of the musical.