Graduation Year
2018
Date of Submission
4-2018
Document Type
Open Access Senior Thesis
Degree Name
Bachelor of Arts
Reader 1
Jonathan Petropoulos
Reader 2
Friederike von Schwerin-High
Terms of Use & License Information
Rights Information
© 2018 Leshan Xiao
Abstract
Founded in 1918 following the carnage of World War One until the Nazi takeover of 1933, the Weimar Republic is widely renowned as a bastion of freedom and democracy that existed only briefly between the reigns of two authoritarian regimes. The Weimar period witnessed an unprecedented prosperity of art and culture, with tremendous advancements in the fields of literature, the visual arts, and film. However, the remnants of the old Empire persisted within the new Republic, and new fascist factions rose to prominence within German society. Artists that lived through the era, both liberal and conservative, observed and provided their opinions on this phenomenon that would culminate in the advent of Nazi Germany. The purpose of this paper is to examine works of art across genres and by different artists, establish a connection with the fascist trends in Weimar Germany, and understand the attitudes of each respective artist towards the decline of German society into illiberalism and barbarism. I argue that artists anticipated fascist political and cultural developments in the years prior to the Nazi seizure of power in 1933, and look at the various artists in the realms of literature, the visual arts, and film.
Recommended Citation
Xiao, Leshan, "Art of the Weimar Republic and the Premonitions of Fascism" (2018). CMC Senior Theses. 1932.
https://scholarship.claremont.edu/cmc_theses/1932
