PDF

Improvisation in Sixteenth-Century Italy: Lessons from Rhetoric and Jazz
John Bass

PDF

The Violin Concerto Soloist’s Orchestral Role, from Mozart to Beethoven
Carey Campbell

PDF

Identity in Violin Playing on Records: Interpretation Profiles in Recordings of Solo Bach by Early Twentiety-Century Violinists
Dorottya Fabian and Eitan Ornoy

PDF

Realizing the Continuo in Monteverdi's Lamento della ninfa and Its Implications for Early-Seventeenth-Century Italian Continuo Practice
Roland Jackson

PDF

What Can the Organ Partitura to Tomás Luis de Victoria’s Missae, Magnificat, motecta, psalmi et alia quam plurima of 1600 Tell Us about Performance Practice?
Noel O'Regan

PDF

Some Misconceptions about the Baroque Violin
Stewart Pollens

PDF

"Changing the Score: Arias, Prima donnas, and the Authority of Performance" by Hilary Poriss
Charles S. Brauner

PDF

"Performance Practice: Issues and Approaches" by Thomas Watkins
Roland Jackson

PDF

"The Rosary Cantoral: Ritual and Social Design in a Chantbook from Early Renaissance Toledo" by Lorenzo Candelaria
Kenneth Kreitner

PDF

"Mendelssohn in Performance" by Siegwart Reichwald
David Montgomery

PDF

"Trills in the Bach Cello Suites" by Jerome Carrington
Marc Vanscheeuwijck

PDF

"Interpreting Mozart: The Performance Practice of his Piano Pieces and Other Compositions" by Eva Badura-Skoda and Paul Badura-Skoda
Andrew Willis

PDF

"After the Golden Age: Romantic Pianism and Modern Performance" by Kenneth Hamilton
Robert Winter

PDF

Correspondence: February 16, 2009
Ross W. Duffin