Graduation Year


Document Type

Campus Only Senior Thesis

Degree Name

Bachelor of Arts


Humanities: Interdisciplinary Studies in Culture

Reader 1

Andrew Aisenberg

Reader 2

Marina Pérez de Mendiola

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Terms of Use for work posted in Scholarship@Claremont.

Rights Information

© 2017 Cassidy E Villeneuve


This work explores soundscape and histories of sound technologies as they relate to the formation of subjectivity. It proposes voice as a cultural practice and a means for theorizing one’s own subjectivity. What is modernity in sonic terms? What does it mean to listen deeply in an industrialized society? What does it mean to be a socialized listener, a revolutionized listener? How might voice be taken as an avatar of the self? How does the auditory realm allow for embodied theorizing that responds to systems of power and oppressed subjectivities?

Streaming Media

Streaming Media

This thesis is restricted to the Claremont Colleges current faculty, students, and staff.