Date of Award

2025

Degree Type

Restricted to Claremont Colleges Dissertation

Degree Name

Cultural Studies, PhD

Program

School of Arts and Humanities

Advisor/Supervisor/Committee Chair

Eve Oishi

Dissertation or Thesis Committee Member

David Luis-Brown

Dissertation or Thesis Committee Member

Paul Faulstich

Terms of Use & License Information

Terms of Use for work posted in Scholarship@Claremont.

Rights Information

© 2025 Henry Lesperance

Keywords

Chicanx/Latinx Studies, Environmental Studies, Ethnography, Ethnomusicology, Indigeneity, Visual Studies

Subject Categories

Social and Cultural Anthropology

Abstract

This work begins with a research interest in the folklore of the U.S.–Mexico borderlands. The unexpected discovery of an archive at the Smithsonian Center for Folklife and Cultural Heritage initiates an act of return: the repatriation of sound recordings made in 1944 in Desemboque, Sonora, by ethnomusicologist Henrietta Yurchenco. What starts as a general inquiry into cultural memory evolves into a deeper engagement with sound, place, and the enduring presence of ancestral knowledge. In reestablishing a living lineage between past and present, the researcher embarks on an ethnographic journey shaped by collaboration, introspection, and relational meaning-making. Grounded in a decolonial and autoethnographic approach, this ethnographic study challenges extractive models of research by centering reciprocity, community engagement, and the co-creation of knowledge. Central to this process are María Luisa Astorga and Adolfo Burgos, whose work as cultural bearers and scholars provides profound hermeneutical insight into sacred soundscapes and oral traditions rooted in spiritual practice. Ultimately, this research reframes sacred soundscapes through an environmental and collaborative lens, mapping a path of academic, spiritual, and cultural resonance across the landscapes and coastlines of the Sonoran Desert.

ISBN

9798290970264

Available for download on Wednesday, August 18, 2027

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