Researcher ORCID Identifier

https://orcid.org/0000-0002-6641-2222

Date of Award

Spring 2024

Degree Type

Open Access Dissertation

Degree Name

Music, PhD

Program

School of Arts and Humanities

Advisor/Supervisor/Committee Chair

William Alves

Dissertation or Thesis Committee Member

Robert Zappulla

Dissertation or Thesis Committee Member

Mark Howard

Terms of Use & License Information

Creative Commons Attribution 4.0 License
This work is licensed under a Creative Commons Attribution 4.0 License.

Rights Information

© 2024 Kenneth M Cotich

Keywords

Guitar, Instrument design, Microtonality, Music analysis, Musicology

Subject Categories

Music | Musicology | Music Theory

Abstract

Microtonal music in the United States has a significant connection with the American West Coast. Influential microtonal musicians and theorists originated on the West Coast or passed through California, subsequently inspiring future generations of composers to work outside of twelve-tone equal temperament (12tet). This project begins by examining the early trailblazers of music education and composition in California who sought to rearticulate the fundamentals of music. Two substantial sources that influenced new musical materials were the harmonic series and non-Western music and culture. Microtonal music in California is then examined through the efforts of a series of outsider speculative music theorists who experimented with building microtonal scales and instruments. One instrument that Californian microtonalists have utilized since the mid-twentieth century is the guitar. The guitar is an exemplary instrument for demonstrating microtones through string harmonics, scordatura, and pitch bending. However, achieving expanded pitch relations requires drastic modification to the guitar's fixed frets. This investigation reveals how the rich history of microtonal music emanating from the American West Coast is connected to the microtonal guitar in performance, theory, and construction.

ISBN

9798382746982

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