Date of Award
Spring 2013
Degree Type
Open Access Master's Thesis
Degree Name
Cultural Studies, MA
Program
School of Arts and Humanities
Concentration
Cultural Studies with Museum Studies
Advisor/Supervisor/Committee Chair
Joshua Goode
Dissertation or Thesis Committee Member
Andrew Long
Dissertation or Thesis Committee Member
Henry Krips
Terms of Use & License Information
Rights Information
© 2013 Mollie S. LeVeque
Keywords
E. J. Bellocq, Storyville, New Orleans, Prostitution, Urban Studies
Subject Categories
African American Studies | American Art and Architecture | American Studies | History of Art, Architecture, and Archaeology | History of Gender | Other Feminist, Gender, and Sexuality Studies | Women's Studies
Abstract
In this paper, I examine E.J. Bellocq's "Storyville Portraits" within art historical and feminist historiographies. One of the most infamously alluring parts of New Orleans at the turn of the century, the Storyville red light district is hardly part of contemporary American consciousness today. Part of my work involves an evaluation of what a lack of archival resources does to perceptions of Storyville and more broadly, the stereotypical late Victorian “fallen women” that has been read into history - both by historians and popular culture. However, my focal point is indeed the portraits and how they might be re-read and fruitfully explored when considering a variety of pertinent factors that influenced representations of sex work in late 19th century New Orleans.
DOI
10.5642/cguetd/94
Recommended Citation
Le Veque, Mollie S.. (2013). Dirty Pictures—Not for Sale: Re-reading Bellocq’s Storyville Portraits. CGU Theses & Dissertations, 94. https://scholarship.claremont.edu/cgu_etd/94. doi: 10.5642/cguetd/94
Included in
African American Studies Commons, American Art and Architecture Commons, American Studies Commons, History of Gender Commons, Other Feminist, Gender, and Sexuality Studies Commons, Women's Studies Commons