Document Type

Book Review

Department

Film Studies (CMC), Literature (CMC)

Publication Date

2001

Abstract

Everyone knows movies are collaborative, polyvalent, and multiform; it's only in our stubbornly powerful experiences of them that they can seem autonomous, homeostatic, or singly begotten. Hitchcock's Notebooks—a tantalizing, frustrating glimpse through a narrow chink in the thick door of a hallowed vault—will not doom the myths of the auteur to their final resting place, but the book tellingly reveals the many negotiations, improvisations, sleights-of-hand, and slipknots that went into the crafting of Hitchcock's exacting, austerely precisionist films. To that extent, it contributes some compelling new information to both he meanings of the films and the image of their maker.

Comments

Brief excerpt from content used in lieu of an abstract.

Rights Information

© 2001 The Regents of the University of California

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