Document Type
Article
Department
Humanities, Social Sciences and the Arts (HMC)
Publication Date
8-2012
Abstract
The concepts of consonance and dissonance broadly understood can provide structural models for creators of visual music. The application of words such as 'harmony' across both music and visual arts indicated potential correspondences not just between sensory elements such as pitch and colour but also with the manipulation of tension and resolution, anticipation and stability in visual music. Concepts of harmony have a long history in proportions of space, colour and motion as well as music that artists can now exploit with new technologies. I will offer examples from my own work as well as techniques from artists such as Oskar Fischinger and John Whitney.
Rights Information
© 2012 Organised Sound
Terms of Use & License Information
DOI
10.1017/S1355771812000039
Recommended Citation
Bill Alves (2012). Consonance and Dissonance in Visual Music. Organised Sound, 17, pp 114-119 doi:10.1017/ S1355771812000039