Graduation Year

2019

Document Type

Campus Only Senior Thesis

Degree Name

Bachelor of Arts

Department

International/Intercultural Studies

Second Department

Media Studies

Reader 1

Professor Harmony O'Rourke

Reader 2

Professor Joe Parker

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Terms of Use for work posted in Scholarship@Claremont.

Rights Information

Kalanzi Kajubi

Abstract

My paper is a transdisciplinary analysis of the conditions of Uganda’s economy of power that allowed for the emergence of Bobi Wine’s People Power, Our Power movement. It is grounded primarily in Tejumola Olinayan’s notion of the myth of western modernization as explicated in an interview with Lars Cuzner for a German symposium on “Rethinking Cosmopolitanism” and built upon in his 2004 book Arrest The Music: Fela And His Rebel Art & Politics, in which he constructs a simultaneously “oppressive and "enchanting." modernism, which Fela's is both a symptom and a resistor of. This, along with postcolonialist Homi Bhabha’s concept of colonial ambivalence helps me conceptualize a similar unfixed relationship that I recognize between Bobi and Western modernity, as it’s expressed through formal state politics.

This thesis is restricted to the Claremont Colleges current faculty, students, and staff.

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