Graduation Year
2019
Document Type
Open Access Senior Thesis
Degree Name
Bachelor of Arts
Department
Theatre
Reader 1
Jessie Mills
Reader 2
James P. Taylor
Reader 3
Ellen Finkelpearl
Terms of Use & License Information
Rights Information
© 2019 Claire A Pukszta
Abstract
This paper represents the final culmination of a theater senior project. The project consisted of an analytical research paper, performance in a mainstage department production, and supporting process documentation. I portrayed Myrrha, Hunger, Zeus, and others in a production of the play Metamorphoses.
Through research on Mary Zimmerman’s 1998 play Metamorphoses, adapted from the works of Roman poet Ovid, this thesis grapples with the historical meaning of the myth of Myrrha. A polarizing figure, Myrrha was cursed to fall in lust with her father. By exploring of portrayals sexual assault onstage, I tackle themes of audience relationships to trauma and taboo subjects. I seek to understand the importance of her story in a modern context, specifically considering the #metoo movement and increasingly public discussions around sexual violence, rape culture, and systematic oppression. I stress our responsibility to understand how codifying stories on stage impacts audiences.
This project also contains my conceptualization for the characters I portrayed in Metamorphoses, my rehearsal journal, and post-show reflections. In these sections, I detail the acting theory behind my characters as well as the steps we took to adapt Metamorphoses for our community.
Recommended Citation
Pukszta, Claire A., "Myrrha Now: Reimagining Classic Myth and Mary Zimmerman's Metamorphoses in the #metoo Era" (2019). Scripps Senior Theses. 1374.
https://scholarship.claremont.edu/scripps_theses/1374
Included in
Acting Commons, Ancient History, Greek and Roman through Late Antiquity Commons, Classical Literature and Philology Commons, Dramatic Literature, Criticism and Theory Commons, Other Classics Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, Theatre History Commons