Graduation Year

2021

Document Type

Campus Only Senior Thesis

Degree Name

Bachelor of Arts

Department

English

Reader 1

Tessie Prakas

Reader 2

Colleen Rosenfeld

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Terms of Use for work posted in Scholarship@Claremont.

Abstract

Motifs of visuality saturate John Donne’s Songs and Sonnets as the primary action of many poems consists of the speaker looking at his lover or the lovers looking at each other. Often times this act of looking results in ecstasy: the speaker and his lover being removed from their physical bodies. By examining three poems: “The Ecstasy,” “The Good-Morrow,” and “A Valediction: Of My Name in the Window,” this thesis uses the lens of ecstasy to explore themes such as individual vs. collective selfhood, mutuality, and perpetuity. Ultimately this thesis will argue how successful ecstasy is dependent upon mutuality between the lovers, and how Donne uses ecstasy to grant his speakers romantic endurance.

This thesis is restricted to the Claremont Colleges current faculty, students, and staff.

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