Graduation Year

2024

Document Type

Open Access Senior Thesis

Degree Name

Bachelor of Arts

Department

History

Reader 1

Andrew Aisenberg

Reader 2

Carina Johnson

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Rights Information

© 2024 Gillian R Murdock Gardner

Abstract

This thesis aims to utilize modern critical theory to reveal how the hagiographies of early female Christian martyrs follow a standardized narrative arc. The martyr’s body is hyperfeminized, transformed, and eventually eclipsed in a simultaneous process of unbecoming in the corporeal realm and becoming in a divine register. The martyr’s augmented femininity signals her ability to endure as far as womens’ abject position in the Empire allows, while her bodily transformation conveys a transgression of the ontological pairings of active masculinity and passive femininity that govern Roman social order. Finally, the martyr’s death communicates an imperial attempt to reestablish the infringed-upon binaries, but the early Christians’ unique eschatological conception of resurrection ultimately allows for the transgressive identity to survive. This process culminates in the body being ungendered in secularity while a gender of sanctity—paradoxically generated through a systematic undoing—emerges in religiosity.

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