Graduation Year

2025

Document Type

Campus Only Senior Thesis

Degree Name

Bachelor of Arts

Department

Art History

Reader 1

Xi Zhang

Reader 2

Julia Lum

Abstract

Post World War II, The exhibition and importation of Japanese consumer goods changed how the American public viewed Japan. Through intentional diplomacy and cultural miscommunications the image of Japan transformed into refined, docile, and the perfect economic partner. This paper looks at two exhibitions, The de Young's Art Treasures of Japan and MoMA's Japanese Household Objects as examples of these soft power dynamics and shifting public perceptions.

This thesis is restricted to the Claremont Colleges current faculty, students, and staff.

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