Graduation Year
2015
Document Type
Open Access Senior Thesis
Degree Name
Bachelor of Arts
Department
Asian Studies
Reader 1
Bruce Coats
Reader 2
Samuel Yamashita
Reader 3
Lynne Miyake
Terms of Use & License Information
Rights Information
© 2015 Jasmine C. E. Umeno
Abstract
This thesis aims to examine the ways in which women are used as vehicles within the noh and kabuki theatre traditions to perpetuate moral and religious doctrine. Using the theoretical frameworks of Michel Foucault, Judith Butler, and Jill Dolan, I examine two plays which feature a female demon as their antagonist, Momijigari and Dojoji, and focus on the ways they incorporate Buddhist and Neo-Confucian ideology in their respective noh and kabuki renditions.
Recommended Citation
Umeno, Jasmine C.E., "The Demonic Women of Premodern Japanese Theatre" (2015). Scripps Senior Theses. 708.
https://scholarship.claremont.edu/scripps_theses/708