Graduation Year

2017

Document Type

Open Access Senior Thesis

Degree Name

Bachelor of Arts

Department

English

Reader 1

Aaron Matz

Reader 2

Thomas Koenigs

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Rights Information

© 2017 Rochelle H Kim

Abstract

This thesis investigates D.H. Lawrence’s idea of the “great background” in the context of Thomas Hardy’s Jude the Obscure and how it reappears in a transformed way in Lawrence’s novels Sons and Lovers, The Rainbow, and Women in Love. Through examining the perverse effects of modernism on these novels’ characters, this thesis argues that the “great background” is something that gradually moves inward––from the old, traditional “State” to an internal, inscrutable yet attainable reality.

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