Graduation Year
2024
Document Type
Campus Only Senior Thesis
Degree Name
Bachelor of Arts
Department
Media Studies
Reader 1
Jennifer Friedlander
Reader 2
Adam Novy
Terms of Use & License Information
Rights Information
© 2024 Olivia Lordos
Abstract
This thesis aims to consider the political implications of the immersive artworks and Infinity Mirror Rooms series of contemporary installation artist, Yayoi Kusama. The work draws from queer and feminist theories of temporality, including José Muñoz’s frameworks of hope and concrete utopias, and Laurent Berlant’s cruel optimism. This paper considers the current media studies research of immersive art exhibits and the phenomenological approaches to art criticism, using affect theory to further the analysis of viewer’s physical reactions to the future, and consider the mind-body sensory relationship as part of the reciprocal relationship with the art. Kusama’s art creates a queer, nonlinear temporality for the viewer by using elements like mirrors, lights, and enclosure to evoke themes of infinity, eternity, and self-obliteration. In doing so, Kusama’s installations function as concrete utopian projects that catalyze potential imaginations of the future by highlighting distortions in the present.
Recommended Citation
Lordos, Olivia, "Infinity Mirror Rooms and Affective Futurity: Political Possibility Through Temporal Potentiality in Yayoi Kusama's Artwork" (2024). Scripps Senior Theses. 2348.
https://scholarship.claremont.edu/scripps_theses/2348
This thesis is restricted to the Claremont Colleges current faculty, students, and staff.